SAVE THE DATE:
MARCH 29–APRIL 3, 2027

SUBMIT A FILM ➔

CALL FOR APPLICATIONS ➔

NEWS ➔

CALL FOR APPLICATIONS ARE OPEN

Whether aimed at composers, directors, producers or screenwriters, each call for projects launched by the Festival international Music & Cinema Marseille seeks to encourage musical and audiovisual creation, foster professional connections, and support the development of new works. Discover the open programmes you can apply to this year.

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SUBMIT YOUR FILM

Submit your short or feature film now for a chance to participate in the next edition of the Festival, taking place from March 29 to April 3, 2027. Through its two competitions for short and feature films, each year 10 feature films and nearly 60 short films are selected to compete for a range of awards, including two grand prizes dedicated to the best original music.

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OUR PODCAST EPISODES ARE OUT

Now available on Spotify and Apple Podcasts, relive the highlights of our previous edition through a series of exclusive interviews. The MCM podcast features interviews with several of our guests, from Steven Price to Veerle Baetens, to Romane Bohringer, Marie Rémond, Feu! Chatterton, and many more.

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WATCH OUR
2026
AFTERMOVIE
➔

"EACH YEAR, MARSEILLE CELEBRATES THE SACRED UNION OF MUSIC AND CINEMA. UNDER THE WATCHFUL EYES OF RISING TALENTS AND SEASONED ARTISTS, THE EAR LISTENS."

JACQUES SAPIÉGA

FESTIVAL PRESIDENT

INTERVIEWS & PODCASTS ➔

INTERLUDE WITH
STEVEN PRICE (GRAVITY)

19:21

What does it take to find a completely different musical language for every film? That's one of the questions at the heart of this episode of Interlude with composer Steven Price.

INTERLUDE WITH
Rusanda Panfili and Johannes Winkler (Perla)

36:08

In this conversation, Rusanda and Johannes reflect on the making of a score rooted in a specific historical world, on the challenge of evoking 1981 without slipping into pastiche, and on what it means to compose with four hands.

INTERLUDE WITH
Kukla and Relja Ćupić (Fantasy)

28:45

Kukla and Relja look back on ten years of work, on the non-professional actresses at the heart of the cast, and on what it means to build a dreamlike musical world for a film that is already so deeply visual.